It's TDDK stupid!
Please Like & Repost [↻] if you like the music.
Follow Aman Anand on SoundCloud: @amananandmusic
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Mastered by Le Bijou Studio: https://ift.tt/2uWIQwA
chaishop closes
thanks to everyone for this awesome party
“This is my Live Set from Fusion Festival 2019 recorded Friday Night at the Sonnendeck stage. Thanks to everyone who came and shared this special moment with me.”
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RELEASE DATE 2019-06-17 >>http://bit.ly/2F9V72G
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☁️ ☁️ ☁️ ☁️ Follow the artist > @nopimusic
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Release info:
“Nōpi is a newborn producer project from Ukrania. Established in early 2019, Nōpi was able to score releases on significant labels and his continuous flow of giveaways has quickly gained him some recognition. We are happy to help the young talent on his rise to the top and showcase 2 groovy, melodic house tracks, supported by our dreamy family-members Yoni Yarchi and Daniel van der Zwaag.
Daynight is able to deliver a bouncy and energetic baseline groove, further enforced with tight shakers and warm percussions. Gentle piano chords and soothing vocals are layered upon the bases and build a coherent atmosphere, that is characterized by subtle textures and smartly placed pad-sweeps.
With peculiar tension, main title track “The Forest” opens up its intro. A collaborating space of fieldrecordings set the mood of this song, while patient piano melodies and a warm, low-end bassline push the production forward. Subtle chants and an array of pads, create a haunting atmosphere – An adventure of mystical soundscapes, that is reshaped by our NWS-dreamers Yoni Yarchi and Daniel van der Zwaag.
Yoni’s remix immediately takes a brighter and life-affirming turn, by implementing an uprising & warm bassline, energetic percussions and a flourishing synth, that is playful and charming. Elevating pads and charismatic textures, give Yoni’s take and innocent feel in the most positive way.
A beafy low-end and hypnotic rhythmics are the foundation of Daniel van der Zwaag’s deeper approach. The symbiosis of the lonely piano with wide and open soundscapes, create the atmosphere of a lonely walk in the woods. The complementing layers of a pushing groove and an intimate top create an interesting feel, that keeps up the mystery of the original, fortifies it and reflects the story of a forsaken place.
Written by Nōpi
Remixes by Yoni Yarchi and Daniel van der Zwaag
Cover Art by Giulia Gallizzi
Mastered by Robert Trifunović
Artists and Repertoire by trustless”
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Bei Moon Harbour haben sie ein neues Schaf im Stall – Sable Sheep. Zwar ist die EP ‘Upon Burning Skies’ nicht sein erster Release auf dem Leipziger Label und seine 3. überhaupt, aber unserer Meinung nach sein bisher solidestes Werk. Ok, wer mit Shlomi Aber und Luciano in europäischen Clubs performt muss schon wer sein. Sable Sheep aber ist erst sein 2011 im Geschäft und scheint es auch bleiben zu wollen.
Zwar erinnern die Vocals in Upon Burning Skies stark an Wax Tailors ‘How I Feel’, dennoch herrscht hier eine fast hypnothische Tiefe vor, die dann schnell treibend nach vorne geht.
Dass man bei EPM in Großbrittanien den vielen eletronischen Genres aufgeschlossen ist, bekommt man mit, wenn man sich nur mal 3 verschiedene Podcasts rauspickt. Das ist insofern ganz angenehm, als dass einem nicht immer der Einzeitsbrei supercooler Deephouse tunes präsentiert wird.
Früher haben wir uns ja so ziehmlich alles an Techno reingezogen was wir in die Hände bekommen haben. Mit dem heutigen Blick erscheint das geradezu verrückt wie hart und schnell die Musik war. Zugegeben wir waren damals noch zu jung, um das ganze Zeug in den Clubs zu hören. Trotzdem leben Hardfloor, Progressive, Hard Techno und co. weiter und das unter anderem unter dem Dach von Bonzai Records.