Anders Ponsaing & Claus Højensgård – The Man With The Red Face – 0247

The Danish Legendary DJ, Producer, Pioneer and Labelboss Kenneth Bager releases the ninth ‘Sunset Sessions’ compilation on Music For Dreams the 9th of July 2021. The compilation is loaded with exclusive tracks from Laudness, Kenneth Bager, Nordsø & Theill, Santino Surgeers, Chris Coco, Troels Hammer, Asger Steenholdt, DJ Pippi, Willie Graff, Charlotte Caluwaerts, Jacob Gurevitsch, Buika, DJ DIVO, OliO, Sohoro, Lucci Capri, Copenema, SIRS, Pepe Link, Anders Ponsaing, Claus Højensgård, Darren Eboli, Pfundheller and LIPS LIPS LIPS.

The compilation is available in all digital stores 9/7/21: https://ift.tt/3wllj2b

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Rheinzand – Rheinzand Remixes (Full Album) – 0276

Rheinzand releases their Remix Album, with remixes from Superpitcher, Das Komplex, Borokov Borokov, Skylab, Scorpio Twins, Pete Herbert, Chris Coco, Pete Blaker and In Flagranti. Subscribe for more music for dreams: http://bit.ly/2bIaezU

The remix album is available in all digital stores: https://ift.tt/3zwvjbU

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Connect with Music For Dreams
Spotify: https://ift.tt/3fcviSl
FB : https://ift.tt/3v7HoSc
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Hailu Mergia & the Walias Band “Nefas New Zemedie”

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From their genesis as members of the Venus club in-house band in the early 70s, Hailu Mergia and the Walias Band were at the forefront of the musical revolution during an era where modern instruments and foreign styles superseded the traditional fare to become the staple sound of Ethiopia. No one would argue that the Walias were the trailblazing powerhouse of modern Ethiopian music.
They were the first band to form independently without affiliation to a theatre house, a club or a hotel; unprecedented and risky as they had to raise all funding for expenses by themselves including buying equipment. They were the first to release full instrumental albums, considered to be commercially unviable at the time. They opened their own recording studio, with band members Melake Gebre and Mahmoud Aman doubling as technical buffs during sessions. They were also the first independent band to tour abroad. In short, they were the pioneers every band tried to emulate; some more successfully than others.
Odds are, any Ethiopian over the age of 35 who had access to TV or radio by the early 90s, will instantly recognize the sound of Walias. What is not a given is, how many would actually identify the band itself. Barely a day went by without hearing the Walias either in the background on radio or as an accompaniment to various programs on TV.
This Tezeta album, the band’s second recording, released in 1975, is one of those that have been impossible to find for nearly three decades. Sourced by Awesome Tapes From Africa and expertly remastered by Jessica Thompson, its unique and funky renditions of standards and popular songs of the day are so quintessentially Walias, flavorful and evocative. Hailu’s melodic organ, unashamedly front and center in every track, makes even the complex pieces accessible.
Profoundly engaging; it’s an immersive trip down memory lane for those of us getting reacquainted with it, while also an enthralling and gratifying experience for fresh ears.

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DJ-Set: Klinke Auf Cinch — From Halle With Love #45

What they say:

“Unweit von Halle, in greifbarer Nähe, liegt Jena. Die Thüringer Großstadt gilt seit jeher als die Brutstätte guter Musik, zu deren Exportschlagern ohne Zweifel die Combo KLINKE AUF CINCH mit Paula, Clemens und Lutz zählt. Das Electronica-Projekt macht Anfang 2016 mit seinem Release FOUR, erschienen auf dem äußerst sympathischen Label ANALOGSOUL, erneut auf sich aufmerksam und liefert zu den 4 Originaltracks als Paukenschlag ganze 16 Remixe von Künstlern wie Jacob Korn, Marbert Rocel, Ranko und dem Hallenser Prismic. Wenn das Kollektiv mit der Sängerin Paula tourt, erlebt man Liveelectronica als einzigartiges Klangerlebnis – dabei sind Clemens und Lutz auch als DJ-Team unterwegs und überzeugen hier ebenso durch deepe Harmoniearrangements und klackernden Rhythmusfundamente. Auch an Halle kommt KLINKE AUF CINCH nicht vorbei und nach dem ein oder anderen Besuch in der Saalestadt, ist es eine Wonne, den Mitschnitt von ihrem Gig am “Strand22″ in Jena exklusiv als unsere Podcastnummer 45 präsentieren zu dürfen.”

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The Reservoir – Volume #5

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Tracklisting:
Roxy Music – The Space Between
Smiths Cos Tan – Stop The Limbo
Talk Talk – Happiness is Easy
LCD Soundsystem – Home
Labi Siffre – Watch Me
Keni Burke – Let Somebody Love You
Jeancy – U Turn Me On
Future Islands – Haunted By You
Billy Paul – We All Got a Mission
Bayonne – Spectrolite
Colder – To The Music

Quote by Reservior:

This is the start of a new series of podcasts / selections called “The Reservoir” whereby quite literally it is just playing anything and everything that is around me in my house whether it be 12″s, CD’s, mp3’s on the floor, on the laptop, on the shelf….you name it, it will be checked and searched!

On top of this there are no musical restrictions so expect anything and everything week in week out dependant on what is found. Past, present and future.

The music is quite literally just thrown together off the cuff for your enjoyment.

Welcome to “The Reservoir”

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SOTD: Lovebirds – Want You In My Soul feat. Stee Downes

Sonntags werden wir immer poppig. Warum das so ist, hat hier noch keiner rausgefunden. Es ist im Grunde auch egal, was unsere Befindlichkeiten hier für eine Rolle spielen. Fest steht, dass wir hin und wieder netten Vocalstücken mit einer Prise Cheesyness nie ganz abgeneigt sind und wenn sie dann auch noch so groovig daher kommen wie die Lovebirds Nummer, dann schmelzen auch wir. Au weia, nun ists aber gut.

und an die Hater, wir halten es da wie Youtube-Nutzer soujirou:
“If I were a DJ I would end a set with this song”

word

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SOTD: Moon Runner – Cultural Track One

NuDisco wo man steht und geht. Manche releases schlecht und andere noch schlechter aber ab und an sind dann wieder Interpreten darunter, die das entweder verstehen, was sie da machen oder einfach ncihts drauf geben und machen. Letzteres scheint bei Moon Runner der Fall zu sein, so mal ganz salopp gesagt. Cheesy ist das Ding schon und irgendwie wundern wir uns, dass wir das mögen. Nichtsdestotrotz eine verdammte groovy Scheibe und damit TDDK approved. Ha ha.

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