A Sunrise at Garbicz Festival 2025 – Lichtung

Playing at Garbicz was a big dream I’ve had since my the first time I attended it back in 2019. So there was so much fiery yet patient joy and passion in me lounging to be expressed in this debut set. At the same time, I have felt the collective burden SO much given all the unacceptable atrocities going on in many places in the world…

There’s something I’ve learned with my therapist which has helped me though: the price we pay for suppressing a certain emotion is that we end up suppressing ALL of our emotions. So I knew that, in order to fully express my wild joy and fiery passion while living this dream of mine, I needed to somehow acknowledge in my set the times in which we are living right now.

Let that sink in for a moment…

The joy you see in the videos is not there Despite everything happening in the world. It is deep joy In Acknowledgement and Recognition of it, with all the emotions it evokes. I took the risk – which is always there – of not being booked again because of this… But for me this the only Responsible way to receive the blessing of living this dream of mine in an embodied and authentic way. And that is why I believe this was one of the most powerful sets I’ve ever played.

As Nina Simone once said: “an artist’s duty is to reflect the times.”

So yes, this set was a proper blast! With every single track, the crowd reacted really wildly – I definitely played many of my all time favorite tracks!! AND it was also a prayer filled with powerful messages and (indingeous) wisdom to guide us through the times we are living.

Thank you so much to Garbicz, especially to Lichtung for having me (at Ali’s Teabar) and all it stands with and for. Also my warmest gratitude to all my friends and dancers who bared through the long delay to listen to my set, which ended becoming a perfect sunrise set for that reason, or to those who woke up early or ended up leaving their tents to listen to me. I made sure your fiery energy can be felt in the recording <3 And finally, thank you for the tears of those who cried, during or after it. I feel you, as I also cried twice myself while I was preparing this set. May it uplift us to the responsability that come with the privileges we have, as Responsability is what holds us accountable to be the person we long to become. May it remind us of the Power of our choices, because it is in the cumulated impact of our daily decisions that lies the cure for powerlessness. May it evoke Peace in a world with ongoing genocides, wars and many other human atrocities happening here. May it inspire Positive Change, because we truly need it. May it create Unity in a world with growing polarization. Because we can be only be truly Strong when we stand Together! And I deeply believe in the connective Power of Music in helping us to get there!!!

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@ Kater – Das Fest 25 Open Air 08.06.2025

This recording was made during my performance at “Das Fest 25” in the fantastic Kater Club Berlin. I had the honor of opening the open air stage. Small detail, the Function One Soundsystem I was allowed to play on was the old Berghain Soundsystem, which makes it something very special…;-))) Have fun -> Download is activated.

Peter Schumann:
SC: @peter-schumann

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Spotify: open.spotify.com/intl-de/artist/5…BCaTHEXSrFFnup3I
IG: https://ift.tt/mFnSv8E

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#108: Heimlich Knüller – Montagssorbet mit Laut & Luise

Für die Ewigwachgebliebenen zum Feierabendbier, für die Frühaufsteher als Seelenfutter zum Wochenbeginn: Montagssorbet mit Laut & Luise. Alles erlaubt, was gut tut und Gedanken kreisen lässt, nur der Name ist Programm: cremig, fluffig und ganz schön weich.

War reserviert für ihn, ist er ja nicht selbst. Heißt ja auch heimlich, muss aber nicht so sein. Am Ende zählen Taten, nicht was wir taten sondern er, oder sie. Mit Felix im Gepäck. Von daher ziemlich guten, also Montag. Soll heißen: Dog day all over. Ziemlich offensichtlich und war uns vorher klar: Knüller. Also in Gänze: Hallo @Heimlich-Muller

(Intro: @Claus-Fussek feat. Greg | Foto: Julia Moebus)

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Bambi Rambo [at] Garbicz – “Per Anhalter Garbicz 2020” [ Live – Special ]

© artwork by Jim aka Bock&Fuchs ➲ contact ✉ info@bockundfuchs.com

Bambi Rambo presents Per Anhalter Garbicz 2020 [ Live – Special ]

BIO:
The traditional progression from club warm-up to international talent is a rite of passage for most DJs. But in Chloe’s instance – the opposite is true. She first came to prominence on the global burner festival circuit under her Bambi Rambio alias, making her debut at South Africa’s ‘AfrikaBurn’ in 2017 before going on to perform at Nevada’s ‘Burning Man’ a year later.

She became a staple artist of London’s Burning Man community soon after. Decompression parties and grassroots fundraisers were where she earned her stripes, before honing her craft across the capital’s club circuit in late 2019 at venues such as Mick’s Garage, The Steelyard and many more besides.

These experiences helped mould Bambi’s sound into what it is today. It feels at home in all environments: whether that be an urban warehouse or the ethereal playa of Burning Man. Regardless of the setting, her ethos behind the decks remains the same: to take those listening on a musical journey and deliver a deeply pleasurable experience in the process.

• What are your musical influences?
I Take influence from a variety of things, I love to dig in all directions and collect old songs as well as new ones and to merge genres that would not necessarily belong together and always keep it on the uplifting and energizing side of things. I am mainly into house and deep house these days but had times where I was more into the techno and progressive side of the spectrum. I like to vary and reinvent my sound pallet over time 🙂

What is your musical background?
My upbringing was steeped in musical heritage. I trained as a classical flutist from an early age, opting to drop the instrument for electronic music in my twenties. Such a transition was kind of ingrained in my family heritage – my parents had been creating mixtapes since my childhood, making tracklists from their vinyl collection and then burning them onto CD for home-listening. It has always raised my curiosity and interest in how you really create a whole soundscape from a bunch of tracks 🙂

• What makes good “afterhour”?
A good after hours is all about the enveloppoing and evolving atmosphere. You had already a wild and uplifting party but you are not yet ready to call it a night so you go to an after hour party. And you want to prolong the goodness of the night and for this you need a fun and happy crew and a warm and almost hugging music at first. Then when the sun rises you can go to the meditative type of music and sort of dreamy floaty vibes – like time gets suspended and all. Then slowly as the sun rays get brighter and warmer, you can increase the energy and add more groove and vocals and bring in the audience to dance more and more and basically wake up again for another day of dancing 🙂

• Do you have any thoughts you would like to share about your set?
Starting off on a reinterpretation of a famous French poem “les fleur du mal” this mix then drives on to all dimensions of the holy house music galaxy… 🌌 With accents of deep and cosmic, 80s synths and piano riffs, afro and oriental, the DJ set was played in the famous Polish woods in the summer by Bambi Rambo 🌳🦌. Enjoy the listening journey, wherever you are in the world right now.
Bon Voyage mes amis. 🚀💖

✘ Bambi Rambo
Soundcloud – soundcloud.com/bambi-rambo
insta – https://ift.tt/2KwLn54

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Foxall & Deaf Can Dance – Zorba The Greek (“Thank You” Edit)

When we played this track – a joint venture between us and my brothers from another mother @foxallmusic – for the first time at Garbicz Festival last year we had no idea how You, the audience, would react…

After some polishing, a couple of months later we’re sharing it with You all beautiful people – thank You for Your love. ❤️

Full mix from Garbicz Festival: https://ift.tt/2HXlCtF

Download for free on The Artist Union

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