E-Gerät & Dan Celot – Italienisch [Heimlich Musik]

With Italienisch, E-Gerät & Dan Celot present three original tracks that showcase their distinctive blend of analog warmth, subtle groove, and atmospheric depth. Spread across three releases, the EP draws from cosmic disco, minimal wave, and leftfield electronics —balancing introspection and dance floor energy throughout.
The title track opens the series with moody pads, rubbery synths, and filtered
percussion. Echoed vocals and a deep, playful groove give the track a hypnotic yet grounded feel, setting the tone for what follows. Italienisch shifts gears into a smoother, mid-tempo flow. Shimmering synths and soft percussive details create a nostalgic atmosphere, wrapped in understated elegance and retro minimalism. When Hai Say Hello adds a playful detour—rhythmically loose, sonically rich, and full of quirks.
Bouncing basslines and offbeat synth motifs bring lightness and surprise, expanding the duo’s sound with character and charm.
The remixes across the EP bring fresh perspectives: Prins Thomas stretches Italienisch into a psychedelic voyage of arpeggios and cinematic tension, while Hysteric strips it down to a raw, Italo-driven core. Franz Matthews transforms Italienisch into a melodic, layered trip, with Senior Citizen offering a vibrant, sunrise-ready version. Daensen closes out the reinterpretations with a unique, housy take—offbeat and cerebral. Seebo & Von Spazier rework When Hai Say Hello into a shadowy, hypnotic groove, trading bounce for spacious depth and tripped-out detail.
As a whole, Italienisch captures the catalogue of E-Gerät & Dan Celot—refined,versatile, and always a few steps off the beaten path.

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EG.1028 Stimming

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“Stimming’s new one-hour set offers a journey through the sound universe of his latest album, ‘Friedrich,’ seamlessly blended with the selected tracks from his earlier works. Much like the album itself – an homage to the overlooked beauty of the everyday, symbolized by the pigeon – the set is rich in detail, emotion, and subtle complexity. It explores the balance between light and shadow, groove and introspection, using Stimming’s signature meticulous production style to evoke fleeting yet profound moments from everyday life. With one foot in the club and the other in experimental terrain, the set flows with a newfound ease and emotional clarity, echoing the themes of transformation, reflection, and quiet wonder that define ‘Friedrich.’ Whether it’s the warm harmonies of ‘Sugar and Lemon’ or the darker tension of ‘Lucky Me,’ this set becomes more than just a listening experience – it’s a personal narrative, layered with meaning and held together by Stimming’s unmistakable sound.”

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Premiere | Husa & Zeyada – Wala Wala (Madmotormiquel Remix)

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Egyptian-Canadian duo Husa & Zeyada return with a powerful new chapter: ‘Wala Wala’, a track that signals a new era of their sound.

A space where indie dance meets progressive house with original Arabic lyrics, with an abstracted play on popular Arabic slang, and a bold sound merging psychedelic and trance elements with almost punk rock vocals, the song stands out as a fresh exploration and display of counterculture and feminism.

Taking the experience further into the night are two heavyweight remixes: Madmotormiquel, a pioneer of Berlin’s melodic house movement, delivers a deep take that leans into a deep groovy mix; perfect for late-night dance floors and vibey sunrise sets that need a punch. Vinyl Mode, one of the most loved artists in Saudi Arabia’s exciting underground electronic scene, flips ‘Wala Wala’ into a darker, bolder secret weapon with nothing but timeless vibes.

‘Wala Wala’ is released under Soundscool, Husa & Zeyada’s new experimental label and creative playground. Focused on exploring audio-visual storytelling, cross-cultural collaborations, and sound as a narrative medium, the label aims to spotlight the next wave of boundary-breaking electronic music from the region and beyond.

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Mollono.Bass – The Devil In Us (Extended Mix) [3000 Grad]

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Get @mollonobass’ track on @3000-grad here:
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The echoes of the synth move like sun rays among the dancing motes of dust over a dance floor. The bass is flexing with the botanic elasticity of a tall tree in the wind. Yet the shadows of this summer soundscape reach deep. There’s something lurking from the sharp edges of the sawtooth acid line that is digging into the groove with a pleasant punch to it. There’s something at the bottom of the simple, trancy melody. It finds full expression in the vocal… With The Devil In Us, Mollono.Bass integrates contradictory moods into a smooth groove. It’s a track that is as intriguingly kicking and hypnotic during the dark hours of a party as it is during the day.

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🌃 Mosaic: https://ift.tt/Kw3XZnN
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👯‍♀️ Yoga Electronica: https://ift.tt/qlixQGD
💥 White Ocean (Burning Man): https://ift.tt/6G5thr2
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Mario Bianco – Ikigai (Madmotormiquel & Iorie Remix) [Hoomidaas]

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@mariobiancomusic // @madmotormiquel // @iorie

🎧 More Music in our Playlists on Spotify ⤵
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🌃 Mosaic: https://ift.tt/dx3aq10
🍍 Organic House & Downtempo: https://ift.tt/fCX5AK1
👯‍♀️ Yoga Electronica: https://ift.tt/BHvQWwg
💥 White Ocean (Burning Man): https://ift.tt/CiO1kaK
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Sven Väth – The Worm (Robag Wruhme Remix) – CORLP054

Sven Väth – Catharsis Remixes – CORLP054

Tracklisting:

LP
1. (A1) Sven Väth – Silvi‘s Dream (Damiano Von Erckert Remix)
2. (A2) Sven Väth – What I Used To Play (Roman Flügel Remix)
3. (B1) Sven Väth – The Worm (Robag Wruhme Remix)
4. (B2) Sven Väth – We Are (Jonathan Kaspar Remix)
5. (C1) Sven Väth – Feiern (Krystal Klear Remix)
6. (C2) Sven Väth – Mystic Voices (Benjamin Damage Remix)
7. (D1) Sven Väth – Nyx (PAS Deep Heet Remix)
8. (D2) Sven Väth – Butoh (Robert Hood Remix)
9. (E1) Sven Väth – Nyx (Planetary Assault Systems Remix)
10. (E2) Sven Väth – Being In Love (Harald Björk Remix)
11. (F1) Sven Väth – Catharsis (Manio Le Tough Remix)
12. (F2) Sven Väth – Silvi‘s Dream (Florian Hollerith Remix)

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Be Svendsen – Drifter

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Get Be Svendsen’s EP on Beat And Path here:
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„Ich spielte im Studio herum“, verrät @besvendsen. Dabei hatte er Spaß, die Grundlinie einer ziemlich berühmten Disco-Spur neu zu erstellen. “ Er möge es, Genres auseinanderzunehmen. „Deshalb war ich damals amüsiert, ein freches Banjo-Riff mit Rock-Trommeln und dieser Bass-Hook zu mischen“, gesteht der dänische Musiker. (…) „Ehrlich gesagt hatte ich nicht vor, diesen Track zu veröffentlichen, da er ein bisschen weit weg von dem ist, was ich heute tue.“ Aber @beatandpath, das Label, auf dem die Nummer mit einem Remix von @madmotormiquel erscheint, habe das Stück wirklich gefallen und wollte es rausbringen: „Also dachte ich mir: warum nicht?“ (…)

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